Showing posts with label No I.D.. Show all posts
Showing posts with label No I.D.. Show all posts

Wednesday, July 05, 2017

"I Turned My Life Into a Nice First Week Release Date"


It's been an interesting last few weeks for Jay Z. Just last week he surprised everyone with a new full length album, 4:44. To no one's surprise, it was exclusively released on Tidal...the same music service that Kanye is doing he absolute best to sever all ties with at the moment. Storied history aside, 4:44 is going to get its highly anticipated physical release this Friday, building on the initial exclusive Sprint and Tidal release on June 30th.

So what can expect from the new album? Well, CNN thinks it's dope, 50 Cent thinks it's golf course music, and somehow it's already gone platinum. The only real consensus is that The Story of O.J. is a clear standout track. Blessed with a picturesque No I.D. production and a laid back, storytelling vibe, there's a lot to unpack. Just today, the Jiggaman released a video for the track that invites even more discussion. The black and white cartoon aesthetic provides and interesting back drop for a story surrounding racial tension. I'm still trying wrap my head around it, as well as the numerous subliminal shots on his latest album. Despite the record already going platinum, it's safe to say the story of this album is only beginning to be told...#TheStoryOfOJ



Jay Z - The Story of O.J. (Prod by No I.D.) (Footnotes)

Tuesday, August 20, 2013

"I Be Stunting, Stunting Like I Got My First Chain"


This right here is some high quality Hip Hop. The type of storytelling based, spittin' bar after bar over a real smooth head nod worthy No I.D. beat. I know it's my M.O. to give producers the lions share of the credit for the success of tracks, but I can honestly split it 50/50 on My First Chain. Anyone who doubts that Big Sean is one of top lyricists in Hip Hop need to listen to this then think real hard about why he thinks his favorite rapper is better. You better believe Sean Don brought his A+ game after getting recently upstaged by Kendrick on Control.

Oh and I haven't even mentioned the Nas verse yet. Veterans have been known to lose a step over the years, but Nasir Jones simply refuses to let loose a half-assed verse. In comparison, I was a little let down by Cudi's verse, but that's more of a compliment to Big Sean and Nas because their verses were so on point. The real moral of the story is that Big Sean's upcoming album has gone from an noteworthy album to a must-listen album over the past few weeks. Hall of Fame hits stores in exactly a week and I for one am excited as hell...#HOF

Big Sean feat Nas & Kid Cudi - My First Chain (prod by No I.D.)

Tuesday, August 13, 2013

Kendrick Lamar Just Killed Complacency in Hip Hop


So...remember how Kendrick Lamar used to be the up and coming dude who was as unassuming as he was talented on the mic? Well...all that changed last night when he set the internet ablaze by calling out all of your favorite rappers. Actually, if your favorite rappers include K Dot, Nas, Jay Z, Eminem or Andre 3000, you might not have been effected by his wrath filled verse. Before I go any further, check out the offending lyrics below or fast forward to the 4:51 mark on the freestyle below...
"I heard the barbershops spittin' great debates all the time
Bout who's the best MC? Kendrick, Jigga and Nas
Eminem, Andre 3000, the rest of y'all
New ni**as just new nig**s, don't get involved
And I ain't rockin no more designer sh*t
White T’s and Nike Cortez, this is red Corvettes anonymous
I'm usually homeboys with the same ni**as I'm rhymin' wit
But this is hip hop and them ni**as should know what time it is
And that goes for Jermaine Cole, Big KRIT, Wale
Pusha T, Meek Millz, A$AP Rocky, Drake
Big Sean, Jay Electron', Tyler, Mac Miller
I got love for you all but I'm tryna murder you ni**as
Tryna make sure your core fans never heard of you ni**as
They dont wanna hear not one more noun or verb from you ni**as
What is competition? I'm tryna raise the bar high"
The part of the verse that really sticks out to me is where he calls out Big Sean and Jay Electronica who happen to be joining him on the freestyle. That tells me his barbs are more about how he strives to be the best and everyone else needs to step their game up. I know this is going to sound surprising, but Twitter didn't seem to share the same reaction. Luckily for you, NME put together a list of top tweets relating to the freestyle. Below are my three favorites...


I also got a kick out of P&P's compilation of Lupe Fiasco tweets where he pretended to write a response for all of the rappers who were singled out. All in all, I'm excited as hell that he used his talents to light a fire under Hip Hop because it's been years since anyone dared call anyone out. The only thing that died today is complacency in Hip Hop, thank you Kendrick Lamar...#Control

Big Sean ft. Kendrick Lamar & Jay Electronica – Control (HOF) Freestyle (prod by No I.D.)

Wednesday, September 12, 2012

"I Killed Off Heaven Now I Live in Hell"

"You ain’t saving them from danger,
you’re keeping danger safe"
Coming from someone who isn't from the streets and doesn't see murder and crime on a daily basis, I feel like I'd be a fool not to talk about all the events surrounding Hip Hop in the Chicago area the past month. The realization and connection to the problem began for me when I saw @RealSway interview @lupefiasco and reminisce over a video filmed back in 2006 that ended up bringing Lupe to tears. It's a powerful video and I'd recommend you watch it if you care about a large scale problem that needs to be brought to light and talked about...

My first reaction after disbelief was "I can't even imagine what that feels like." The that I'm referring to is the ghosts Lupe alludes to that are friends or neighbors in the video who are no longer alive or currently in prison. It's alarming how many teenagers have turned into ghosts in the Chicago area with the murder rate up 38% in the first half of 2012.

Which makes the video above ironic and even more powerful is that less than a month later, a couple rival teenage rappers in Chicago decided to take the guns and violence to the extreme. After weeks of diss tracks and YouTube posts created by two rival Hip Hop gangs, rapper Lil Jo Jo was gunned down. Long story short, new Interscope signee @ChiefKeef (who recently became relevant in Hip Hop solely because Kanye decided to remix his song I Don't Like) decided to take to Twitter to express pure glee in the rival Lil Jo Jo's death. You could imagine how publicly laughing at another teenager getting shot to death in a rival group would ruffle some feathers, but instead of apologizing for his ill time tweets, he decided to continue to fight back by threatening to fight Lupe Fiasco who condemned Keef's celebratory tweets.

So what happens when you have a teenager committing career suicide on Twitter? Well...management steps in, by first saying his twitter account had been hacked...um...at various times the past few days when the tweets came out about Jo Jo..oh..and Lupe too. In other news there's some oceanfront property Chief Keef would like to sell you in Montana (#SMMFH). Now it seems that Keef is being investigated in the murder and management went a step further and made him apologize and send prayers out to Jo Jo's family. Evidently the "he's just a teenager" excuse works well in this kind of situation too.

To sum it all up, the quote below summarizes the outcome in a very succinct, eloquent way:
"Chief Keef is a bomb. A bomb has no responsibility or blame, it does what it was created to do; DESTROY. - @rhymefest"
Taking it one step further,@gouldmovements of the Independent Blog put it best when he opined and further questioned the state of Hip Hop by saying:
"There are a thousand debates to be had here. Questions about authenticity in hip hop and the essential tragedy of this rich, fascinating counter-culture. The gap between the mainstream and the underground, between the poor inner city and the wealthy establishment, about how Chicago’s music has suddenly become ‘interesting’ for all the wrong reasons, and about how, in roughly five minutes, we’ll all forget about its problems and go listen to the next 2Chainz track about cars and hoes, because it’s all harmless fun, isn’t it? Forget Snoop Dogg’s early 90s criminal persona (and actions) and focus on his current incarnation as a Rastafarian. Deep down, we, the white media, will fetishize the violence hip hop sometimes endorses or reflects, because it’s something we’ll never witness at first hand, and then we’ll all go back to our safe happy homes. Well I’ll say one thing is certain. We can’t just put our headphones in. We have to keep asking questions." - source
So what's the fall out, end game or better yet music in this post you ask? For starters, it seems like any and every Chicago Hip Hop name has pitched in their 2 cents on the issue including producer No I.D., Rhymefest and even 50 cent. The range of reactions go from disgust all the way to support for Chief Keef. I know, I know, it's insane someone would try to rationalize the way Keef reacted. Shoot, after taking all this in I can see why Lupe is wanting to distance himself from the Hip Hop culture as a whole and retire to solve bigger world problems because, in part, rappers like Chief Keef will continue giving Hip Hop and his home city of Chicago a bad name.

If it is true that Lupe is going to walk away from Hip Hop to pursue more meaningful endeavors, I don't blame him and he will be missed. Missed because his last album Food and Liquor II: The Great American Album Part 1 is shaping into a classic because of inspiring and meaningful tracks like his most recent one below. His knack for storytelling in an evocative way is unmatched and even though I've been critical for his at times overly political messages, his expression is about as close to lyrical art as you'll get in Hip Hop. For every 1000 typical rappers, there is 1 Lupe Fiasco who actually fights for and believes in meaningful things that need to be talked about in the world.

If you don't want to listen to the whole track, at least fast forward to the 2:15 mark of American Terrorists (Superheros Part 2) and follow word for word. There's some depth in his message and I'm betting everyone who reads it will find different meaning in his message. Not only is the delivery beautiful with the soft piano lead in, but the infusion of dubstep at the verse's apex is brilliant.
"Last remarks, they did it to themselves
I killed off heaven, now I live in hell
So complicit and they all non-survival
Told them that they biggest rival is inside you
I do possess the power to revive you
But if I did that, I’d just have to fight you
Cause you truly are the hero and the villain
The world stood froze, hearing a truth so chilling
Reporters start filming, somebody shouted, “Kill him!”
He looked back in disgust and flew up to the ceiling
Busted through the roof and kicked over the building
Before it hit the ground, a younger hero flew around
And put it on his shoulders, said you’re naive now
But believe, you’ll believe me when you’re older
Every asteroid you stop and bomb you fly up into space
You ain’t saving them from danger, you’re keeping danger safe"
If this is a part of the last chapter of his Hip Hop career, he truly did leave the best for last...#Sept25

Lupe Fiasco - American Terrorist (Superheroes)(Part 2)
|iTunes
S/O to B*tches and Art for the cover art

Tuesday, May 01, 2012

The Paradox of Hip Hop Parenting

Fresh off the release of his lead single The Don, @Nas did a quick reload on single #2 with Daughters. My first reaction when I heard Daughters was somewhere between disbelief and respect. I used those two adjectives because it takes some balls to be so open when it comes to real stories about how you raise your kids. You just don't hear many Hip Hop artists talk about how they could have been a better parent to a teenager...but then again, maybe because not too many Hip Hop fathers have kids who are 17 years old yet.

I thought it was admirable that Nas addressed how he's mentally dealing with his daughter dating a thug when he himself was a thug back in the day. Struggling morally in a "let he who has not sinned cast the first stone" way with raising your daughter has to be an unenviable task that probably has him praying that Destiny will make the right choice at times. Especially when everyone knows you've been through as many women as you have, can you really be that mad at her for showing off her epic condom collection? (According to Destiny's mother @CarmenBryan absolutely not!)

If you're cool with reserving judgment on the personal stories that might ruffle a few feathers, there's a lot of truth weaved into Daughters. The four bars below are about as eloquent as it gets regarding every dad's feelings about raising a daughter compared to a son...
"Nah, the way mothers feel for they sons, how fathers feel for they daughters
When he date, he straight, chip off his own papa
When she date, we wait behind the door with the sawed off
Cause we think no one is good enough for our daughters"
There's no release date yet for Nas's new album tentatively Life is Good, but two singles in one month will probably speed it along. In his own words via Def Jam conference call, “It’s been a long time since I dropped a solo album…I don’t think it’s Escobar season this year. It’s Nasty Nas season. All my dons, raise a glass, Nasty Nas season has begun.”

Nas - Daughters (prod by No I.D.)
|iTunes

Saturday, January 14, 2012

The Div Pac Heat Like It's Their Job

Now that I've posted damn near every track off @itsPacDiv's newest release(The Div), I suppose it would be appropriate for me to pick a favorite track on the album. It was a tough choice and ended up being a push between the No I.D. produced Greatness and the track below, Top Down. To be completely honest, it's a mood dependent choice between the two tracks. If I'm in the mood for an uplifting, inspirational joint, I go with Greatness, otherwise I stick with the more traditional, big bass, quick wit rhymes of Top Down.

The only real takeaway from this post should be that Pac Div continues to be one of the best Hip Hop groups out that more people need to know about and appreciate. Shout out to @caseyveggies and @skeme on the features and @swiffd on the beat. The names may seem foreign now, but they've got just as much of a stake in the game as a lot of other over-rated muh fuggas that are coveted and sell more than their music would suggest. Can I get a hashtag truth?? #TRUTH

Pac Div feat Casey Veggies & Skeme - Top Down (prod by Swiff D)
|iTunes

Saturday, December 24, 2011

My Take on the Drake/Common Beef

This post is going to come off a little gossipy because a lot of what I'm going to say below is based on presumptions and unconfirmed rumors. With that being said, there is a beef between @common and @drake going on right now, so I'd be remiss to not mention it. From my perspective, here's the chronology of events that seem to have triggered this new beef. First, Common and @serenawilliams were dating pretty seriously for over two years.
But like all good things, the relationship came to an end in 2010 when they broke up for lots of reasons, including what Serena called "him not taking responsibility." Maybe it had to do with Common wanting to settle down and have kids and a family? Either way, it ended and there was clearly a lot of emotion involved, so there was potential for future spite and grudges.

Enter Drake, who in the past year has started to become really good friends with Serena. So much so that he's been spotted at her tennis matches supporting her and even been seen playing tennis with her (below). Not gonna lie, dude's got some decent ground strokes and it looks like he was holding his own for a bit...(even though she was playing left handed and clearly taking it easy on him).
Serena Williams and Drake Playing Tennis

Fast forward to last week, where rumors began circulating that @drake and @serenawilliams are engaged as of last week. No confirmation on those rumors, but still, where there's smoke...
So even before all the engagement rumors started surfacing, Common took to wax to not-so-subtly call out Drake in a very public, aggravated way on his track Sweet. On the track, Common attacked Drake for singing on his songs and that women think he's Sweet, which makes him soft in Hip Hop terms. Now you may think it's out of the ordinary for him to do that, but evidently calling out other rappers is an old trick he has implemented in the past around the same time a new album of his is coming out. Adding fuel to the fire was his interview with @realsway two days ago where he confirmed the obvious that the No I.D. produced track was in fact calling out Drake.
"In Hip Hop, it’s like stepping in the ring. Rap is a contact sport. So I talked about this cat that’s soft and sweet. Drake felt offended and felt it was directed towards him, so he said, “Man, say it to my face.” My thing is, I’ma keep it Hip Hop. Stay on that tip, but if he falls in that category, then so be it. I’m not going to hold my tongue.”
- Common"
Common Talks to Sway About His Shots at Drake

Early sales predictions are putting Common's new album The Dreamer, The Believer (out December 20th) at 55,000-65,000 in first week sales compared to the 631,000 that Take Care sold in it's first week for Drizzy. So it wasn't too surprising to see the way Drake responded to Common, albeit for one minute before he deleted the Tweet (below)...#Scoreboard
We'll see how all this ends, but for the time being, it's an interesting spat in a Hip Hop game that has lacked anything remotely beef related for a while now. It's borderline yawn worthy, but both are successful at what they do and they'll continue to be regardless how their beef ends up. For my money, I was a little surprised and taken aback that Common had such a mean streak in him. 99% of his music is all about unity and being happy and he even plays soft characters in romantic comedies, so to hear him call out Drake for that was interesting. Is the pot calling the kettle black? Maybe a little, but I'll give it to Common, he went in hard on the track and took no prisoners on his lyrical melee. That being said, he's never going to reach the ceiling Drake hasn't even hit yet, so I'm not sure if it'll end up being seen as much more than jealousy because Drake can always say I got your girl and my records are more successful than yours, stick to movies...#DoubleScoreboard

Tuesday, October 11, 2011

"No Matter What They Say, You're on to Something Great"

"If Stevie Wonder read braille,
Michael Jackson made thrill,
And Malcolm X-celled,
Like gettin' 5 mics on Double XL"
Seems everywhere I look these days I hear a new standout track produced by No I.D. And that's not to take away anything from @ITSPACDIV, who consistently bring relevant and creative lyrics every time they get on the mic. If @thecoolkids are my favorite Hip Hop group, there would be an absolute dog fight for second between Pac Div and @DaRealSlaughter. Pac Div always takes the rhymes over beats approach, which is admirable when you've got the skills to back it up and it makes for classic material when a top notch beat ends up on their plate. Even better, I couldn't name one of the members of Pac Div off the top of my head or tell you which member of the group I like best on the mic. They are all talented and the sound they produce is as consistent as it gets.

I wouldn't say this is the flashiest beat that No I.D. has ever done, but it's perfect in that it provides a basic canvas that allows Pac Div to do what they do by shining lyrically. I like that the complete hook doesn't even come out until after the second verse. I found the teaser hook between the first and second verse stylistically interesting because it gave a glimpse of what's to come, but they made you wait for the real thing. It's simple Hip Hop, but there will always be a collection of fans that can appreciate groups like Pac Div because they embody a lot of the qualities that were coveted during the genesis of what we can now appreciate as the Hip Hop movement.

(Climbs down off soap box...) Anyways, November 8th is date you'll be able to cop Pac Div's new album, The Div on iTunes. I know I got deep there, but if you're a reader of this blog and are plugged in to the RSS feed, you can appreciate my steez. It's gonna be a good week, I've got some solid new tracks to share and that's on top of what will eminently be coming the next month on November 15th...#TakeCare...keep it locked!

Pac Div - The Greatness (prod by No I.D.)

Wednesday, October 05, 2011

"Suited in Prada, Stay Melo Like Lala"

"Daylight beams, Nightlife schemes, 
This is my inception, I'm writing my dreams"
I'd argue that every talented artist needs a producer or someone behind the boards to bring out their best work. There's no doubt that @COMMON is so beyond needing a hot beat to make a name for himself because his poetry alone can carry a track. Still, it can't hurt to put whipped cream on the sundae right?

The whipped cream I'm referring to is No I.D., who is executive producing Common's upcoming album The Dreamer, The Believer. The album is set to drop on November 22nd, and if it sounds anything like his first singleBlue Sky, then you're going to get real tired of me singing the praises of both Common and No I.D. Considering the work he's done on Big Sean and Kanye's most recently albums, there's a lot of reason to be excited for what's to come.

What you can expect from the track below is some high quality wordplay from Common over a feel good beat. Call it a marriage of organic Hip Hop and quality production if you want. I call it a great, high energy lead single that will set the table nicely for a exciting new album.

Common - Blue Sky (prod by No I.D.)

Monday, August 08, 2011

"$50,000 on My Wrist, I'm Feedin' Eskimos"

It's been three days since @chrisbrown released his newest mixtape Boy in Detention and it already has over 110,000 downloads on datpiff. Just glancing at the production credits, I can see why everyone is flocking to download the new tape because it looks more like an album with @ROOKBEATS, @RYANMTEDDER (not to be confused with one of my favorite artits/producers/songwriters from @OneRepublic, Ryan Tedder), @9thWonderMusic, @Thabizness, @THEREALSWIZZZ and No I.D. Interesting too that most tracks on the mixtapes have Chris Breezy rapping ferociously at his own frenetic pace that he describes on Crazy and implements on First 48.

Put it this way, if you liked the way he sounded on Look At Me Now, you'll appreciate most tracks on the mixtape. Even better and probably a reflection on why it's so highly sought after, @justinbeiber drops a nniiiccee verse on the @therealbanner produced Ladies Love Me
Don't even trip, he killed that verse.

Anyways, the track below is my favorite off the mixtape and it features production from @BIGKRIT, who is steadily becoming one of my favorite artists/producers. The oriental flutes and heavy bass do more than enough to keep the track afloat. The hook by the King Remembered In Time was surprisingly awesome and really carries the track by imploring the listener to chant along. (As a side note, don't sleep on that Smokers Club tour coming this fall).

Consider this tape a present that's chalked full of high quality charity. In other words, in a death and taxes type world of certainties, free stuff like this is rare, so go cop it...#BoyInDetention

Chris Brown Ft Berner, Wiz Khalifa & Big K.R.I.T. - Yoko (prod by Big K.R.I.T.)
|Mixtape

Monday, May 23, 2011

"Understand That What Goes Around, Comes Around"

With every leak I'm getting more and more pumped for @BIGSEAN's upcoming album, Finally Famous: The Album. The albums is set to drop on June 21st and it'll be released via @defjammusic through the @G_O_O_D_Music label. Better take note of the production by @dionpnoid too, dude is absolutely a beast for being such an unheralded producer. You're gonna feel foolish when you check out those production credits and realize he's been @kanyewest's right hand man when it comes to great beats.

Sticking with the vindictive tone this week, Big Sean spares no hater by saying, "It’s also dedicated to everybody who be talkin’ shit behind my back, And then when I see y’all, y’all act like “Awww, I’m so happy for you.” Nobody likes a fake friend and sadly most haters are disguised as friends, which is why a man with a lot of friends is not a smart man. Shouting out your two exes on a track when you've made it to be Finally Famous has to feel good too.

All in all a feel G.O.O.D. track that'll put a smile on your face when you end up thinkin' of all them haters you've passed along the way that never made it to where you're at now...#JealousyTastesSour

Big Sean - What Goes Around (prod by No I.D.)

Wednesday, August 11, 2010

"If You Fall on the Concrete, That's Yo Asphalt"

A surprisingly upbeat track from 'Ye from around the way...today. Coming by way of his newly revamped blog, Kanye University, we get another glimpse of what his upcoming album Dark Twisted Fantasy (formerly Good Ass Job) is going to sound like. I can see his first single fitting into a dark and twisted fantasy, but this one has more of a celebratory, welcome back sounding vibe to it. Gotta love the obligatory Free Weezy shout out too...

For all of you that missed Kanye's crazy moving picture video for Power, give it a look below. There's no doubt the track has an epic sound to it, from the chanting to big beat to the unapologetic verses...the video does all that high intensity plenty of dramatic justice. Check it...

I like Beyonce on this track to be honest, she is most of the reason it sounds so uplifting. Shouts out to No I.D. and Lex Luger on the beat too, they did their thing setting the tone for an upbeat track. Despite the positivity oozing from See Me Now, it's hard not to appreciate the track for its lighthearted tone. It should serve to balance out all the other heavy, dramatic material that will eminently fill up Dark Twisted Fantasy.

Give it a listen...

Kanye West – See Me Now f. Beyonce & Charlie Wilson (prod. Kanye West x No I.D. x Lex Luger)
| Download

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