Showing posts with label Common. Show all posts
Showing posts with label Common. Show all posts

Friday, November 04, 2016

Videos of the Week November 4th


This week's top five was a nearly even split between late night performances and actual music videos. Led by the politically charged of Black America Again by Common and BJ the Chicago Kid on Fallon, there was a solid dose of drama. If you're looking for silly then look no further than Colbert and Run the Jewels crafting a new Halloween anthem that will make the parents blush. On second thought, it was more outlandish than anything, but RTJ spit some hot fire while Colbert did his best to be cater to the straight edged demographic.

In the world of real music, Cudi released a new video for Surfin' with Pharrell despite still being on the mental mend. The video was a lot more celebratory than his last, but shared the same low budget, trippy forest vibe. Then we got another reminder of why Anderson .Paak is the peoples' choice for best new artist. So much funk when that man graces a mic! And of course, last, but not least, Zedd came through with what I'd characterize as one of the most unique performances I've seen in a while. Performing his track Ignite, he started with a live orchestra, then proceeded to finish the track in the center of a 3D box. The folks at the Staples Center are lucky to have witnessed such a fresh rendition of the track, but audio and visual wise...#Ignite
Common and BJ the Chicago Kid Perform Black America Again on Fallon

Run the Jewels Perform the Halloween Wiggle on Colbert

Kid Cudi feat Pharrell - Surfin' (Video)

Anderson .Paak - Come Down (Video)

Zedd Performs Ignite with an orchesta at the Staples Center

Photo Credit: YouTube

Friday, April 15, 2016

Videos of the Week April 15th


If you're in the mood for some quirky new videos, you'll be in heaven this week. The only video I'd characterize as "normal" would be Drake's 30 second trailer for his upcoming Views from the 6 album. Yes, it will be annoying when the album is released solely on Apple Music for the first week on April 29th, but sadly, it's something that's become a reality with music releases these days.

Marshmello's video for Keep it Mello reminded me why I'm such a big fan of his. Uplifting, bass heavy, Zelda music is the best comp I have for his style, but I love it. In other news, Macklemore and Ryan Lewis continue to blaze their own path and do fun, creative things with their videos. It is true that tons of people now have the "Macklemore haircut". Speaking of weird and artsy, that's about all the adjectives I have for will.i.am. and Nicole Scherzinger's new video for Smile Mona Lisa. Lots of augmented reality in that one, but it'll appeal to the art buffs for obvious reasons. And last, but certainly not least, holy crap can Common break dance! Daaaaamn man, he put on a surprise, spur of the moment show that had me yellin' at the computer in my living room...#Common
Macklemore & Ryan Lewis - Brad Pitt's Cousin (Video)

Marshmello feat Omar LinX - Keep it Mello (Video)

Drake Views From the 6 Album Trailer
will.i.am ft. Nicole Scherzinger – Smile Mona Lisa (Video)

This Just in...Common Can Break Dance! (on Fallon)

Photo Credit: YouTube

Friday, February 13, 2015

Videos of the Week February 13th


The Grammys were without a doubt the big ticket item this week in the world of videos. While I was tempted to do a top 5 Grammy videos, I felt like picking a top two out of the many videos would be more impactful. That being said, it was a tough decision, but Sia's Kristen Wiig and Maddie Ziegler assisted performance of Chandelier and Common & John Legend's emotional rendition of Glory were my favorites. What pushes Glory to the top are the real life social issues that continue to make the lyrics and message of the song extremely apropos for 2015. Honorable mention performances include Sam Smith and Mary J's performance of Stay With Me and Ed Sheeran performing Thinking Out Loud With John Mayer, Herbie Hancock & Questlove.

Grammys aside, the Imagine Dragons video for Shots was extremely well done. Watching the Incpetion-like visuals made me like the song more, which is exactly what a video should do. In other news, Charles Barkley still is comical anytime he swings a gold club, especially when Jimmy Fallon is there to observe. And last but not least, I'm still trying to wrap my head around Drake's new short film Jungle. I appreciated the nostalgic look back at where he came from and getting to see firsthand how his music began opening up doors. If it's meant to show what a day in the life looks like for him to generate empathy, then mission accomplished. Either way, it's thought provoking, which isn't a bad thing...#Jungle
Imagine Dragons - Shots (Video)

Drake - Jungle (Short Movie)

Sia - Chandelier (Live at Grammys feat Kristen Wiig & Maddie Ziegler)

Common & John Legend - Glory (Live at the Grammys)

Jimmy Fallon: Hallway Golf with Hugh Grant & Charles Barkley

Photo Credit: YouTube

Thursday, December 04, 2014

"One Day When the Glory Comes, It Will Be Ours"


Man, just when I was about to give all the credit to Alicia Keys for penning the most inspirational ballad of the week, here comes John Legend and Common with an extremely powerful new track. The track was created for the upcoming movie Selma, but you can't help but draw parallels to the protest movement surrounding the police violence lately. Common's direct reference to Ferguson around the 1:08 mark built a direct bridge to the recent protests, paving a perfect path for it to become a unifying anthem moving forward.

The build up of emotion lead by the soulful vocals of Legend and powerful delivery from Common are what make this track hard to ignore. The choir background did their part too, delivering just the right amount of soul in backing up Legend. I'm not familiar with Selma, but I do know that if the protest movement had a soundtrack, this would be the first track...#Glory

John Legend & Common - Glory

Friday, September 05, 2014

Videos of the Week September 5th


Good mix of humor, entertainment and just plain awesome vocals in this week's top five. The list includes a trailer from a festival I still have on my bucket list (EDC), an inspirational video for those who are finding themselves in the fight with cancer (Remission), some fantasy football humor courtesy of Jimmy Fallon, visuals from one of the better Hip Hop EDM collabos in recent memory (That Girl) and last, but certainly not least, an incredible vocal performance by none other than Sam Smith. I know Fast Car will never be able to be done better than Tracy Chapman, but it's hard to touch Sam's version. I've got a date to see Sammy S live in less than a month and you better believe I'm counting down the days...#FastCar
"Under the Electric Sky" Electric Daisy Carnival Trailer

Sam Smith Covering Tracy Chapman's Fast Car

Stafford Brothers feat T.I. & Eva Simons - This Girl (Video)

Lupe Fiasco feat Jennifer Hudson & Common - Remission (Video)

Jimmy Fallon Outlines the Pros and Cons of Playing Fantasy Football

Photo Credit: YouTube

Saturday, December 24, 2011

My Take on the Drake/Common Beef

This post is going to come off a little gossipy because a lot of what I'm going to say below is based on presumptions and unconfirmed rumors. With that being said, there is a beef between @common and @drake going on right now, so I'd be remiss to not mention it. From my perspective, here's the chronology of events that seem to have triggered this new beef. First, Common and @serenawilliams were dating pretty seriously for over two years.
But like all good things, the relationship came to an end in 2010 when they broke up for lots of reasons, including what Serena called "him not taking responsibility." Maybe it had to do with Common wanting to settle down and have kids and a family? Either way, it ended and there was clearly a lot of emotion involved, so there was potential for future spite and grudges.

Enter Drake, who in the past year has started to become really good friends with Serena. So much so that he's been spotted at her tennis matches supporting her and even been seen playing tennis with her (below). Not gonna lie, dude's got some decent ground strokes and it looks like he was holding his own for a bit...(even though she was playing left handed and clearly taking it easy on him).
Serena Williams and Drake Playing Tennis

Fast forward to last week, where rumors began circulating that @drake and @serenawilliams are engaged as of last week. No confirmation on those rumors, but still, where there's smoke...
So even before all the engagement rumors started surfacing, Common took to wax to not-so-subtly call out Drake in a very public, aggravated way on his track Sweet. On the track, Common attacked Drake for singing on his songs and that women think he's Sweet, which makes him soft in Hip Hop terms. Now you may think it's out of the ordinary for him to do that, but evidently calling out other rappers is an old trick he has implemented in the past around the same time a new album of his is coming out. Adding fuel to the fire was his interview with @realsway two days ago where he confirmed the obvious that the No I.D. produced track was in fact calling out Drake.
"In Hip Hop, it’s like stepping in the ring. Rap is a contact sport. So I talked about this cat that’s soft and sweet. Drake felt offended and felt it was directed towards him, so he said, “Man, say it to my face.” My thing is, I’ma keep it Hip Hop. Stay on that tip, but if he falls in that category, then so be it. I’m not going to hold my tongue.”
- Common"
Common Talks to Sway About His Shots at Drake

Early sales predictions are putting Common's new album The Dreamer, The Believer (out December 20th) at 55,000-65,000 in first week sales compared to the 631,000 that Take Care sold in it's first week for Drizzy. So it wasn't too surprising to see the way Drake responded to Common, albeit for one minute before he deleted the Tweet (below)...#Scoreboard
We'll see how all this ends, but for the time being, it's an interesting spat in a Hip Hop game that has lacked anything remotely beef related for a while now. It's borderline yawn worthy, but both are successful at what they do and they'll continue to be regardless how their beef ends up. For my money, I was a little surprised and taken aback that Common had such a mean streak in him. 99% of his music is all about unity and being happy and he even plays soft characters in romantic comedies, so to hear him call out Drake for that was interesting. Is the pot calling the kettle black? Maybe a little, but I'll give it to Common, he went in hard on the track and took no prisoners on his lyrical melee. That being said, he's never going to reach the ceiling Drake hasn't even hit yet, so I'm not sure if it'll end up being seen as much more than jealousy because Drake can always say I got your girl and my records are more successful than yours, stick to movies...#DoubleScoreboard

Friday, November 04, 2011

Videos of the Week

Key takeaway from this week's lineup of videos is that @common has a knack for producing art. Not only was Blue Sky a moving song to listen to, but the video was equally as motivational, emotional, well put together and symbolic all at once. As far as under appreciated artists in Hip Hop, there are few who have done it as long and been as consistent as Common has over the years...#Respect

 Enjoy your Friday night folks...
Common - Blue Sky (Video)


Big K.R.I.T. feat T.I. - I'm Flexin' (Video)


The Roots feat Big K.R.I.T. - Make My (Video)


Pac Div - Posted (Video)


Jason Derulo - Breathing (Video)


Throwback Drake Video Pre-Young Money

Wednesday, October 05, 2011

"Suited in Prada, Stay Melo Like Lala"

"Daylight beams, Nightlife schemes, 
This is my inception, I'm writing my dreams"
I'd argue that every talented artist needs a producer or someone behind the boards to bring out their best work. There's no doubt that @COMMON is so beyond needing a hot beat to make a name for himself because his poetry alone can carry a track. Still, it can't hurt to put whipped cream on the sundae right?

The whipped cream I'm referring to is No I.D., who is executive producing Common's upcoming album The Dreamer, The Believer. The album is set to drop on November 22nd, and if it sounds anything like his first singleBlue Sky, then you're going to get real tired of me singing the praises of both Common and No I.D. Considering the work he's done on Big Sean and Kanye's most recently albums, there's a lot of reason to be excited for what's to come.

What you can expect from the track below is some high quality wordplay from Common over a feel good beat. Call it a marriage of organic Hip Hop and quality production if you want. I call it a great, high energy lead single that will set the table nicely for a exciting new album.

Common - Blue Sky (prod by No I.D.)

Tuesday, August 17, 2010

"This is the Song For My Haters, Y'all Got Me Feelin' Like the Greatest"

Lately, hearing tracks like We On, Who Dat, and recently Premediatated Murder, I've been steadily gaining quite a bit of respect for Jermaine or Maine as he used to be known as. Each track I've heard of his is building off the last, surpassing my last favorite track with every new track.

And the track below Blow Up, is by far his best effort to date. He'll always bring the creative wordplay, but the beat on this track is legitimately bangin' and considering he's the one who produced the track, daps & lbs are in order. When I gave the track a full listen I couldn't put my finger on it, but the beat reminded me of a track and I kept playing the beat over and over in my head trying to bring back some lyrics. Thank the lawd for Google is all I gotta say because that song just happened to be Common's track The Corner, produced by none other than @KanyeWest. Check it below and tell me it doesn't remind you of Cole's new track...

It always takes just the right amount of timing, confidence and audacity to forecast yourself blowing up, but it's damn near the norm these days for up and coming artists to talk it before they live it in order to legitimately blow up. I can't hate on that one bit because you have to talk like you're better than everyone else in order to become it. There are only so many soft spoken Joe Mauer's out there, most everybody else (at least in pro sports and Hip Hop) has to create their own self-fulfilling verbal prophecy in order to convince people who have the resources to invest that you have the confidence to be unflappable. It's a double edged sword though because there is nothing worse than someone who talks mad ish and never backs it up...

If you aren't convinced yet that @jcolenc is on some other ish lyrically listen for the quote-ables below:
"This for my n****s that ain't satisfied with secondary,
This is for my sistas who ain't satisfied with secretary"

"They say what you fighting for the game is on life support
And Gary Coleman just passed, life is short"

"Momma say I should reconsider law school,
That means I wear a suit and bent the truth and feel awful,
Hell naw, got a degree but what that cost you
You make a good salary just to pay Sally May"

"You mean to tell me everything gon be fine
If I call your hotline and pay 29.99?"
Hard for me to bet against him blowing up, especially with tracks this hot...be on the look out for his new Cole World, due out on October 26th, which will include the track below...

J. Cole - Blow Up (prod by J. Cole)
|
Link taken down by request please go to iTunes to download

Thursday, September 24, 2009

Album Review: Kid Cudi's Man on the Moon: The End of Day...Certified Classic


Let me first apologize. I owe you one Scotty. I made a callous, uninformed judgment when I jumped to the conclusion that Jay-Z’s Blueprint 3 album would trump yours because truth be told Jigga did work from track 1 all the way to climactic ending with Young Forever. At that time I had not given a complete sit down, full listen to your album and even when I first tried to give it a full listen, it was in more of a party setting, which resulted in me skipping to the songs I knew.

That all changed after I watched you perform live. Similar to when I watched Drake perform November 18th in Houston, I was hooked. Seeing you in your element performing with the orchestra backdrop and how the audience was drawn you every note, vibing out mimicking your every move and clap…I was in awe and moved. Block out 19 mins of your life to be inspired and thoroughly entertained:

Needless to say I went straight back to your album and put the first track you performed in that video, Cudi Zone on non-stop repeat. Soon after, I felt an overwhelming guilt for not taking the time to actually listen to every track and soak it in. After soaking it in, here’s how I felt.

The first thing you need to understand is that Kid Cudi or Scott Mescudi as people in the Cleveland, Shaker Heights area know him as, is a very very complex dude. His album Man on the Moon: The End of the Day is very intricately pieced together, sort of following a play or movie as the songs have been pre-organized as one huge dream with the Acts portraying different emotions that he has experienced and is now choosing to put in display as he takes us on a journey into the depths of his subconscious.

The first track, In my Dreams, begins Act 1: The End of Days. It’s more of a dreamy interlude that could very well put you to sleep and give the wrong impression of his album if you were looking for something more “Hip Hop”. Looking back it does a good job of throwing up a huge caution flag to everyone listening letting them know that the journey he’s about to take you on is not going to be your typical Hip Hop, skin deep type of music. Additionally, Common’s first monologue at the end of the first track beginning with “Long before we know ourselves, our path are already set in stone, some may never figure out there purpose in life and some will…” does a good job of foreshadowing what is to come from Cudi. He plays the narrator to Cudi’s story warning us that the following is a story of struggle where a young kid from Cleveland found his way and did it in way that no one else has done before.

As Common fades…you hear the dreamily eerie guitar riff fade in with the beginning to Soundtrack to My Life. I’ve already touched on how moving this song was when I ranked it as the best track in a month where we saw so many amazing Hip Hop singles. What you should take away from this track is Cudi’s ability to draw you into his story. I’ve always maintained that what sets apart quality Hip Hip from the average overproduced crap that ends up getting on the radio is the artist’s ability to show the audience they genuinely care and buy into the story they are selling. Just like anything in life, you can tell when people are motivated by extrinsic (outside) things like money or fame because their story isn’t very personal or moving in any way. The song Soundtrack to My Life exhibits the exact opposite of that by showing Cudi’s intrinsic motivation to benefit and move people emotionally by telling his story and holding nothing back when he lets you in about extremely personal struggles he’s went through...like his father’s dead at age 11 and the subsequent struggle his mom then went through supporting his family, which furthered his constant personal struggle for happiness. I think this line sums it up his martyrdom most eloquently:
“I try to think about myself as a sacrifice, just to show the kids they ain’t the only ones who up at night"
Moving on to the third track Simple As…which continues his trippy, out of this world dreamy vibe, except in a more upbeat, matter of fact way. The track has a more happy go luckily tone and Scotty jumps all over the place mentally attempting to simplify life with things you’d think just walking down the street to yourself. Pretty short track, but provides an adequate contrast to the previous song, preventing listeners from getting to bogged down in his at times rugged tale.

From here Common continues the journey into Act 2: Rise of the Night Terrors, which venture into the more negative, lonely, insecurity laden side of his subconscious. The first track of the Act, Solo Dolo , is a very underrated song that sets the stage with an ominous, disturbing, clockwork sounding horror beat. It’s really is alarmingly dark, but that’s what he was going for so it fits the song. I know when I’m feeling like the worlds abandoned me and I’ve gotta be on my Solo Dolo for a while, I have the same overly analytical, downright depressing vibe that this song gives. His flow is intentionally choppy and insane sounding and that effect pulled me in, especially in the last verse:
"My world turns
Flippin' the bird
To the ones who figure, me
Outkast no not the duo
Back at Shaker heights
When they knew
Though little brother was a strange one
Boo hoo
Cry me a river
Hey the look who
Try without an igloo
Cold cold world wasn't fit for me at, all"
Overall eerie track that will surely strike a chord with your inner craziness. Again though, a depressing song is followed by the epitome of inspiration with the track Heart of a Lion (Kid Cudi Theme Music). Here Cudi emanates sheer courage looking his issues and insecurities in the face and ultimately putting them to rest through a volley of positive energy and bravado through his “No one can stop me” tone. Very upbeat and encouraging anthem that preaches no matter how depressing your last thought (or song in this case) was, at the end of the day you should be walking with a Heart of a Lion.

The end of the second act is more of a slowed down, monologue longing for that “I made it and I’m successful” moment with the track My World. He goes back to all of the experiences that have led up to this now exciting point of his life where he can sit back and admire all the day to day adversity he had to go through to get out of this depressing Night Terror faze.

Now onto his stoner section of the album with Act 3: Taking a Trip. Obviously everyone is familiar with Day n Nite by now as this was the first song that got Cudi on the map. I found it incredibly cool how he came up with the concept and explained in the video above how he first came up with the melody and even gave a beatbox sample. The whole aura of this track really appeals to the inner loner in everyone that seeks to free their mind at night to get away from the world by letting go detaching themselves from the world to keep their sanity. Very well conceived melody….

Which leads to the next single Sky Might Fall, which was produced around the time Kanye was going through his depressing state that led to the dark sound of his album 808s and Heartbreak. The beat fit perfectly with the concept of Kanye’s album and also fits well with the detached from reality feel of Cudi’s album. I personally liked it a lot because despite the somewhat depressing lyrics, it finds a way to be positive and inspirational through Cudi’s delivery. It offers such a contrast because the tone of the verses are somber, but as he gets closer to the chorus he builds strength and gains positivity, serving to brush off and overcome those sad feelings holding him down. The song preaches a great way to life live because the sky might just fall tomorrow as fate would have it, but going around thinking about that is nothing but a waste of time. This one will always be one of my favorites and always hits the spot after a depressing day. Personally I thought the song fit really well into promoting Transformers: Revenge of the Fallen and was a little upset it wasn't in the movie and they only used it for the trailer.

The final track of Act 3, Enter Galactic (Love Connection 1) serves as the ice to cut the previous two lyrically deep 100 proof songs. Again, a place holder track to keep the roller coaster dream from getting to high or low. Common ends the act prefacing a different turn in the dream away from the psychedelics and onto the positive inspirational section of his imagination.

Act 4: Stuck is without question my favorite section of the album and there is absolutely no way I would have said that two days ago (would have been Act 3). A developing favorite of mine and probably my favorite beat on the whole album, Alive (Nightmare), has an addictive rolling drum beat that is set off in a unique way by the synth-aided guitar riff, which creates a head nodding concoction of sound. The real shining point on this album as a lyricist comes on the third verse of this track where Cudi completely goes to another level with his flow, rounding into 6th gear, parallel parking on the track if you will with:
"I watch the sun collapse
and took up in the clizzoud
I am the lone wolf
go where I wanna
Let the moon shine be the guide to the lizzight
even when I stray away the light never left me, uh
I learn to follow my instinct
Talk about the light,
rather that than the evil
Fill another place in a room full of people
Try and be the same b*tch you know you're not a sequel"
That verse is so badass words don’t do it justice. Not necessarily through the creativity of his lyrics, but by his sheer audacious delivery and stone cold diction. He relies heavily on his poetic stop-and-go, rolling, syllabic elocution as he hops from word to word impeccably winding his way through the measured claps of the beat. It’s awe inspiring and every time I get to that part of the track I rewind it out of instinct. That verse furthers the notion that he is the Moon Man because stylistically he’s able to reach a creativity plateau through a combination of delivery mixed with beat and rhyme that’s so strikingly different both from much of what Hip Hop has to offer, it’s simply exciting.

Moving on to my now second favorite song on the whole album titled Cudi Zone. Again if you skipped the video above, I’ll forgive you, but at this point you may as well scroll back up and watch the first 4 mins and 18 sec of the video. I’m serious, I’d rather you watch that more than read any word on this whole review. He does more in the performance of Cudi Zone that my words could never measure up to experiencing it firsthand as concrete evidence. Needless to say the track can best be described as an orchestrated outpouring of melody. Emile (the producer of the song) did an excellent job of creating a dramatic, upbeat, energetic violin laced beat that sets the tone for Cudi to march through the track emphasizing that out of body feeling of euphoria when you’re in the zone. Everyone strives to find that peace up mentally and this song erupts with such raw emotion that you can’t help but be inspired to feel good about life and FORGET ABOUT IT ALL. On a person level, I for one have had many moments this past year where I’ve struggled to find that peace up there and get in that zone to just get away from it all…this song takes me up there, it takes me to that place where I feel like "oooooohhh", where you’re zoned and are able to regain perspective and just be happy with life. Daps for this one Cudi, your outpouring of emotion has had a very real effect on at least one of your listeners.

Make Her Say (Poker Face) doesn’t need much of an intro or explanation, it’s a creative sample of Lady Gaga’s radio hit. Despite it’s dancy, fun upbeat feel, its probably one of my least listened to tracks on the album. I really do like Common’s verse though, solid collabo, lot's of real Hip Hop talent on this one.

Moving on to my third favorite track on the whole album and evidently the next single to be released, Pursuit of Happiness. I’m a big fan of MGMT and even though their contribution is fairly subtle through the chorus, the track has an extremely calming feel to it. Love the background with the piano and like an actor on stage Cudi does an excellent job at giving just the right amount of vulnerability to make us feel his inner emotional war between positivity and completely losing his grip on sanity. Despite the sound focusing on the comfort of happiness with the poetically apropos line of:
"I'm on the pursuit of happiness and I know everything that shines ain't always gonna be gold I'll be fine once I get it....I'll be good"
The verses paint a tragic, hard headed, myopic, I’ll be fine on my own, leave me alone, I’m a loner, no one understands me picture. Alternatively, the message in the chorus is very fitting and I think I like this song so much right now because of the parallels I can draw to it with my own personal life. It’s all about expectation, as long as you can remain initially skeptical that whats shining isn’t really gold, you’ll eventually find gold and be good. It’s the times you believe without a doubt that once you see the shine, you immediately assume its gold before examining it where you get in trouble. Someone once told me I like to over analyze things…don’t act like that little snack didn’t provide you with some food for thought…haha.

Rounding out the album, Act 5: A New Beginning starts with Hyyerr, which showcases as traditional of Hip Hop verses as you’ll find on Man on the Moon. Real smooth laid back beat to ride out to. Pretty solid, soothing, down to earth track that serves as a landing to the outer space emotionally schizophrenic journey Scotty just took us on. Continuing that vibe is Up, Up, and Away (The Wake and Bake Song) track serving as an sing-a-long happy ending to the album. Common again narrates the conclusion to Cudi’s epic, providing us with a cliffhanger, almost saying to the audience, you’ve heard the story now, but you’re just getting to know him. And truth be told he’s just becoming known to everyone, so you never know where the next novel or play or crazy dream that Cudi will take us on next because his life is going to change as he gains notoriety and success through this album.

Numbers are in for first week sales of this album and he came in #4 on the charts in the US and sold 104,294 copies of Man On The Moon. That’s no simple task pushing that much weight with a first album and Cudi, word is bond, I’m gonna throw a party when you’re platinum because you deserve the 5 star classic, 5 headphone rating in my eyes. I didn’t think anyone could give Drake a run for best album of the year, but you have done it and sadly, it is going to be damn near impossible for you to top this first effort. I hope you use that as motivation to prove me wrong.

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