Showing posts with label Emile. Show all posts
Showing posts with label Emile. Show all posts

Sunday, February 15, 2015

"I Call, Baby Come Find Me"


There is beauty in simplicity. Details can be helpful, but also distract away from what is most important. Case in point Emile Haynie's new single, Come Find Me, featuring talented vocalists Lykke Li and Romy Madley Croft (of The xx). Like many other tracks Emile has been behind, he finds a way to take you on an emotional journey that is guided by instrumentation. The beginning of the track is soft and harmonic, but as it progresses, the intensity of the strings become much more pronounced, shifting the mood to a more somber tone. The simplicity of Lyyke's vocals are perfect in that they stay the same, but take on different meaning throughout the track. If you're an EDM fan, you might listen to the first ten seconds of this track, yawn and move on to the next song. That's fine by me, but if you have a minute to give it a full listen with an open mind, you may be surprised how something that is seemingly so simple has a much deeper story...#BabyComeFindMe

Sunday, January 18, 2015

"Did it Ever Occur That You Forgave Yourself Before I Did"


Remember when Kid Cudi first made a huge splash with his debut album Man on the Moon: The End of Day? At the time, his mix of lyrical skills and roller coaster emotions made his music accessible to so many people. But it wasn't solely the lyrics and vocal delivery that allowed his music to stand out. Looking back, all of my favorite tracks (Soundtrack to My Life, Cudi Zone, Solo Dolo) on his debut were produced by the largely unheralded, but extremely talented Emile Haynie.

Sometimes it's hard to discern whether the success of a song is due to the artist or producer. The great thing about Emile's new single, A Kiss Goodbye, is that it allows the listener to have a more informed opinion on his ability as a producer. With the help of Charlotte Gainsbourg, Devonté Hynes and Sampha, he concocted a beautiful symphony of somber. If you aren't reminded of Cudi's music by listening to the track below then you have some serious familiarity holes in his discography.

The best part about it is that Emile made two different versions of his single, an original and a dub-flavored reprise. For the life of me, I can't figure out which one I like more, but I appreciate the depth and power of reminiscence they provided me...#AKissGoodbye

Original:
Emile Haynie feat Charlotte Gainsbourg, Devonté Hynes and Sampha - A Kiss Goodbye


Reprise:

Thursday, September 26, 2013

"Like a Potluck, You Need to Come With It"


I still haven't listened to Nothing Was the Same enough to have an informed opinion on it, but I do know that after a few listens, I'm really digging Too Much. Maybe it's Sampha's unique vocals on the hook or the mad scientist Emile behind the emotion dripped instrumental. Whatever the case, Drake always seems to do his best work over beats that are piano driven. There are probably plenty of exceptions to that statement, but the ivory keys seem to be the backbone of his trademark "sound." In case you've been living under a rock and haven't heard me mention it a million times already, Nothing Was the Same hit iTunes two days ago, which means it's probably a worthwhile investment to go check it out...#NWTS

Drake feat Sampha - Too Much (prod by Emile)

Thursday, January 17, 2013

"I Just Hope You Put Me Back Together When I Come Apart"

After listening to @asvpxrocky's new release LONG.LIVE.A$AP, I gotta admit, I'm surprisingly impressed by the variety on the album. Even though I'm not quite sold on his sound and delivery yet, I am sold on his ability to tap into other non-Hip Hop outlets to give some uniqueness to his sound. When you've got tracks on the album the likes of @flo_tweet and @skrillex, you're including a wide range of sound and skill, which is sometimes hard combine in a cohesive way on an album. But he did and it's a testament to his forward thinking style to not be constrained like the usual Hip Hop up and comer may be.

What will go unseen about I Come Apart is the behind the scenes work done by Emile Haynie. I'm not pretending to know exactly what influence he had on the track below, but what I do know is the songs he did with the likes of @ducidni, @LanaDelRey, @kanyewest and @eminem have been some of my favorites. I'll end by saying that I hope A$AP can work on his singing/vocals to a point where he doesn't sound out of place on track with Florence. She's got a great voice and I'm not trying to say he needs to get on her level, but guys like Wiz, Cudi, Drake and Kanye aren't singers either, but they have the ability to pull it off when they need to do a ballad. That being said, I really enjoyed the collabo below...#LongLiveAsap

A$AP Rocky feat Florence Welch - I Come Apart (prod by Emile)

Monday, November 01, 2010

Buzz Track: Kid Cudi - Ghost

After one lap around Man on the Moon: The Legend of Mr. Rager , this track caught my attention as the most notable beat. Something about the back and forth, somewhat haunting, high-pitched sway of the synthesizer over a steadily marching forward beat gives this track personality. The rat-a-tat tat of the drum beat fits well with the soothing bass, calming guitar, all of which play an auxiliary role to the squeaky synths that dominate the track.

As a bonus check out a performance of the song at none other than Columbus, OH-IO, shouts out the Buckeyes, one love...
Who even knows what makes this song so enticing to me, the lyrics aren't even that engaging, but I keep getting lost in the hypnotic beat. Seriously daps & lbs are in order for Emile Haynie, who produced much of the album for Cudi and was the man behind the boards for this cut.

As an added bonus, it seems Mr. Rager himself went a little HAM! on Halloween, but like a responsible entertainer he had a cleanup crew of bodyguards to clean his drunken ass up off the streets. Tip of the cap you Scotty, a whole lotta superstars with DUI's should watch your video and learn...how to have fun...without breaking too many laws.
Give the track a listen, it's as artistic and odd as you'd expect from one of the more out there Hip Hop artists in the game...

Oh and don't forget to go cop his album in a little over a week, pre-order Man on the Moon 2: The Legend of Mr. Rager.

Kid Cudi - Ghost (prod by Emile)

Saturday, June 12, 2010

"So You Can Keep Knockin', But Won't Knock Me Down, No Love Lost, No Love Found..."

Between this track, No Love and Drop the World, Eminem and Lil' Wayne have developed an unmatched chemistry on their collaborations in the last year. I'd even throw their work with Drake and Kanye on Forever into that mix of legendary verses, all in one calendar year.

This time the dynamic duo adds a third revered element to the collaboration with @justblaze aka The Megatron Don on the production credits. He takes a page out of the 1993 dance track What Is Love by Haddaway. If you're drawing a blank listen below..

Haddaway - What Is Love?


I thought about flipping this into one of my Did They Do the Sample Justice? pieces, but #lesbihonest, nobody even remembers who Haddaway was, so it would be unfair to compare somewhat of a one hit wonder to a colossal collaboration like this one. Sure the sample will give it an element of familiarity that combined with the namepower of both Lil Wayne and Eminem will result in a can't-miss platinum single. It goes beyond that though because this Recovery album is a final sign that Eminem has finally gotten off the drugs and is back to being a *deserving* platinum artist that will sit in the Hip Hop Hall of Fame someday.

I'm not going to spoil my album review, but it's really hard to hold back my giddiness at how well put together and classic Recovery is going to be. Just look, the production credits for his album were released this week...

Eminem Recovery Tracklist
1. Cold Wind Blows (Produced by Just Blaze)
2. Talkin’ 2 Myself Feat. Kobe (Produced by DJ Khalil)
3. On Fire (Produced by Mr. Porter)
4. Won’t Back Down Feat. P!nk (Produced by DJ Khalil)
5. W.T.P. (Produced by Supa Dups)
6. Going Through Changes (Produced by Emile Haynie)
7. Not Afraid (Produced by Boi-1da)
8. Seduction (Produced by Boi-1da)
9. No Love Feat. Lil Wayne (Produced by Just Blaze)
10. Space Bound (Produced by Jim Jonsin)
11. Cinderella Man (Produced by Script Shepherd)
12. 25 To Life (Produced by DJ Khalil)
13. So Bad (Produced by Dr. Dre & Nick Brongers)
14. Almost Famous (Produced by DJ Khalil)
15. Love the Way You Lie Feat Rihanna (Produced by Alex Da Kid)
16. You’re Never Over (Produced by Just Blaze)
Bonus track: Untitled (Produced by Havoc)

Add that up 3 DJ Khalil tracks, 3 Just Blaze tracks, 2 Boi-1da tracks, and might as well throw in a track from Jim Jonsin, Dr Dre and rising producer superstar Emile. Like a hungry Usain Bolt, on there is absolutely no half steppin' on this album for Eminem, he got the best producers and was very motivated to do well, which is a deadly combination for any artist.

Not to discount this standout track from Recovery, but I'd still give a slight edge to Drop the World over No Love because the verses are a cut above from both Weezy & Em, plus the beat is more unique by Chase N Cash. The quoteables on this are endless though..
Lil Wayne"Been to hell and back, I can show you vouchers
I’m rolling Sweets, I’m smoking sour
Married to the game but she broke her vows
That’s why my bars are full of broken bottles
And my night stands are full of open Bibles
I think about more than I forget
But I don’t go around fire expecting not to sweat"
"So you can keep knocking but won’t knock me down
No love lost, no love found"
Eminem"When I rip this stage and tear it in half tonight
It’s an adrenaline rush to feel the bass thump
In the place all the way to the parking lot, fellow
Set fire to the mic and ignite the crowd
You can see the sparks from hot metal"
*my favorite*"When I’m not even in my harshest
You can still get roasted because Marsh is not mellow"
Indulge folks, doesn't get much more high quality in Hip Hop than this masterpiece....

Eminem feat Lil Wayne - No Love (prod by Just Blaze)
| Download

Sunday, April 18, 2010

Did They Do The Sample Justice? Rhymefest - Familiar Faces on Gary Jules - Mad World

I'm always a fan of artists grabbing a song from a different musical genre and flipping it with their own touch of Hip Hop. This track is no exception, as Chi-town native, Rhymefest re-did Gary Jules' track Mad World to the fullest.

You may be scratching your head wondering wtf Gary Jules is, but I bet you've heard the track narrating the commercial for Xbox's Gears of War :

or even in the movie Donnie Darko starring Jake Gyllenhaal (see clip below)...


There's something undeniably depressing and haunting about this track and most of it (obviously) comes from the lyrics...
"And I find it kind of funny,I find it kind of sad, The dreams in which I'm dying, Are the best I've ever had"
Gary Jules takes the mood of the track waaaay past being simply lyrically depressing with his shaky, pleading tone. The folks who chose this track for the Gears of War commercial are geniuses because as a whole the song epitomizes the uncertainty of imminent danger closing in on you. The track makes the feelings unpredictability and skepticism that creeps into all humans' brains very real. Regardless of whether it's good or bad, a track that can capture emotion and portray it in such a palpable way is deserving of my respect.

Which is why I'm really glad a talented storyteller like Rhymefest took on the challenge of sampling this track and making it his own. I say that because this isn't the first time 'fest has taken a folk track and put a Hip Hop spin on it. Who could forget his intense mix of Citizen Cope's Bullet and a Target. Similar to this track, Rhymefest took more of a serious, storytelling realistic angle on the lyrics, first about how young kids sign up for the army and are shipping away into battle...furthering the "Bullet and a Target" song name and breathing life into the metaphor with a literal shot of reality, then warning of the dangers of unprotected sex and how that can put you in the path of a bullet. Each tale equally harsh, but fitting for the subject matter.

This time he again matched the mood of the track to a T, with lyrics like:

"Nah...wait...you can feel my rage, I'm burning inside nobody can speak my language, we all wanna be different but we're doing the same shit!"

"Same heartbreak we carry the same scars, I carry the same scars!! And when you've finally made it, there's no real friends just smiling faces..."

"Does it start on our birthday? Half of us wasn't even planned in the first place, other half of us was given everything we got, there you have it, the have and the have nots, I was born on a black spot, my life's a plane this song is the black box"

"It's hard to separate reality from fantasy, So does it matter if I'm here or not? If no one's around could you hear the shot? Would my father miss me? You think a tear would drop? And would the world stop spinning...and the clock stop?......I think not"

Wow...heavy stuff...I could never find myself thinking this negatively in real life, but some would argue a lot of the points he made on this track are a shot of realism. For example, when you've finally made it big, you attract a lot of people who hang around you for money (the smiling faces he calls them) and the notion that a lot of people don't have to work hard to be given opportunities in life (the haves/have nots). It's all interesting and delivered in a dramatic way with the help of underrated producer Emile, who is starting to be known as the king of depressing productions (he produced much of Kid Cudi's Moon Man album).

In addition to checking this track out, you should do is cop Rhymefest's new mixtape titled Dangerous 5:18 Mixtape. The track below is on it along with a track he did with John Mayer titled Letter. In case you can't tell, I definitely believe Rhymefest did do the Gary Jules sample justice...opinions?

Gary Jules feat Michael Andrews - Mad World Folk Classic!!!


Rhymefest - Familiar Faces (prod by Emile) Great Sample!!!

Thursday, September 24, 2009

Album Review: Kid Cudi's Man on the Moon: The End of Day...Certified Classic


Let me first apologize. I owe you one Scotty. I made a callous, uninformed judgment when I jumped to the conclusion that Jay-Z’s Blueprint 3 album would trump yours because truth be told Jigga did work from track 1 all the way to climactic ending with Young Forever. At that time I had not given a complete sit down, full listen to your album and even when I first tried to give it a full listen, it was in more of a party setting, which resulted in me skipping to the songs I knew.

That all changed after I watched you perform live. Similar to when I watched Drake perform November 18th in Houston, I was hooked. Seeing you in your element performing with the orchestra backdrop and how the audience was drawn you every note, vibing out mimicking your every move and clap…I was in awe and moved. Block out 19 mins of your life to be inspired and thoroughly entertained:

Needless to say I went straight back to your album and put the first track you performed in that video, Cudi Zone on non-stop repeat. Soon after, I felt an overwhelming guilt for not taking the time to actually listen to every track and soak it in. After soaking it in, here’s how I felt.

The first thing you need to understand is that Kid Cudi or Scott Mescudi as people in the Cleveland, Shaker Heights area know him as, is a very very complex dude. His album Man on the Moon: The End of the Day is very intricately pieced together, sort of following a play or movie as the songs have been pre-organized as one huge dream with the Acts portraying different emotions that he has experienced and is now choosing to put in display as he takes us on a journey into the depths of his subconscious.

The first track, In my Dreams, begins Act 1: The End of Days. It’s more of a dreamy interlude that could very well put you to sleep and give the wrong impression of his album if you were looking for something more “Hip Hop”. Looking back it does a good job of throwing up a huge caution flag to everyone listening letting them know that the journey he’s about to take you on is not going to be your typical Hip Hop, skin deep type of music. Additionally, Common’s first monologue at the end of the first track beginning with “Long before we know ourselves, our path are already set in stone, some may never figure out there purpose in life and some will…” does a good job of foreshadowing what is to come from Cudi. He plays the narrator to Cudi’s story warning us that the following is a story of struggle where a young kid from Cleveland found his way and did it in way that no one else has done before.

As Common fades…you hear the dreamily eerie guitar riff fade in with the beginning to Soundtrack to My Life. I’ve already touched on how moving this song was when I ranked it as the best track in a month where we saw so many amazing Hip Hop singles. What you should take away from this track is Cudi’s ability to draw you into his story. I’ve always maintained that what sets apart quality Hip Hip from the average overproduced crap that ends up getting on the radio is the artist’s ability to show the audience they genuinely care and buy into the story they are selling. Just like anything in life, you can tell when people are motivated by extrinsic (outside) things like money or fame because their story isn’t very personal or moving in any way. The song Soundtrack to My Life exhibits the exact opposite of that by showing Cudi’s intrinsic motivation to benefit and move people emotionally by telling his story and holding nothing back when he lets you in about extremely personal struggles he’s went through...like his father’s dead at age 11 and the subsequent struggle his mom then went through supporting his family, which furthered his constant personal struggle for happiness. I think this line sums it up his martyrdom most eloquently:
“I try to think about myself as a sacrifice, just to show the kids they ain’t the only ones who up at night"
Moving on to the third track Simple As…which continues his trippy, out of this world dreamy vibe, except in a more upbeat, matter of fact way. The track has a more happy go luckily tone and Scotty jumps all over the place mentally attempting to simplify life with things you’d think just walking down the street to yourself. Pretty short track, but provides an adequate contrast to the previous song, preventing listeners from getting to bogged down in his at times rugged tale.

From here Common continues the journey into Act 2: Rise of the Night Terrors, which venture into the more negative, lonely, insecurity laden side of his subconscious. The first track of the Act, Solo Dolo , is a very underrated song that sets the stage with an ominous, disturbing, clockwork sounding horror beat. It’s really is alarmingly dark, but that’s what he was going for so it fits the song. I know when I’m feeling like the worlds abandoned me and I’ve gotta be on my Solo Dolo for a while, I have the same overly analytical, downright depressing vibe that this song gives. His flow is intentionally choppy and insane sounding and that effect pulled me in, especially in the last verse:
"My world turns
Flippin' the bird
To the ones who figure, me
Outkast no not the duo
Back at Shaker heights
When they knew
Though little brother was a strange one
Boo hoo
Cry me a river
Hey the look who
Try without an igloo
Cold cold world wasn't fit for me at, all"
Overall eerie track that will surely strike a chord with your inner craziness. Again though, a depressing song is followed by the epitome of inspiration with the track Heart of a Lion (Kid Cudi Theme Music). Here Cudi emanates sheer courage looking his issues and insecurities in the face and ultimately putting them to rest through a volley of positive energy and bravado through his “No one can stop me” tone. Very upbeat and encouraging anthem that preaches no matter how depressing your last thought (or song in this case) was, at the end of the day you should be walking with a Heart of a Lion.

The end of the second act is more of a slowed down, monologue longing for that “I made it and I’m successful” moment with the track My World. He goes back to all of the experiences that have led up to this now exciting point of his life where he can sit back and admire all the day to day adversity he had to go through to get out of this depressing Night Terror faze.

Now onto his stoner section of the album with Act 3: Taking a Trip. Obviously everyone is familiar with Day n Nite by now as this was the first song that got Cudi on the map. I found it incredibly cool how he came up with the concept and explained in the video above how he first came up with the melody and even gave a beatbox sample. The whole aura of this track really appeals to the inner loner in everyone that seeks to free their mind at night to get away from the world by letting go detaching themselves from the world to keep their sanity. Very well conceived melody….

Which leads to the next single Sky Might Fall, which was produced around the time Kanye was going through his depressing state that led to the dark sound of his album 808s and Heartbreak. The beat fit perfectly with the concept of Kanye’s album and also fits well with the detached from reality feel of Cudi’s album. I personally liked it a lot because despite the somewhat depressing lyrics, it finds a way to be positive and inspirational through Cudi’s delivery. It offers such a contrast because the tone of the verses are somber, but as he gets closer to the chorus he builds strength and gains positivity, serving to brush off and overcome those sad feelings holding him down. The song preaches a great way to life live because the sky might just fall tomorrow as fate would have it, but going around thinking about that is nothing but a waste of time. This one will always be one of my favorites and always hits the spot after a depressing day. Personally I thought the song fit really well into promoting Transformers: Revenge of the Fallen and was a little upset it wasn't in the movie and they only used it for the trailer.

The final track of Act 3, Enter Galactic (Love Connection 1) serves as the ice to cut the previous two lyrically deep 100 proof songs. Again, a place holder track to keep the roller coaster dream from getting to high or low. Common ends the act prefacing a different turn in the dream away from the psychedelics and onto the positive inspirational section of his imagination.

Act 4: Stuck is without question my favorite section of the album and there is absolutely no way I would have said that two days ago (would have been Act 3). A developing favorite of mine and probably my favorite beat on the whole album, Alive (Nightmare), has an addictive rolling drum beat that is set off in a unique way by the synth-aided guitar riff, which creates a head nodding concoction of sound. The real shining point on this album as a lyricist comes on the third verse of this track where Cudi completely goes to another level with his flow, rounding into 6th gear, parallel parking on the track if you will with:
"I watch the sun collapse
and took up in the clizzoud
I am the lone wolf
go where I wanna
Let the moon shine be the guide to the lizzight
even when I stray away the light never left me, uh
I learn to follow my instinct
Talk about the light,
rather that than the evil
Fill another place in a room full of people
Try and be the same b*tch you know you're not a sequel"
That verse is so badass words don’t do it justice. Not necessarily through the creativity of his lyrics, but by his sheer audacious delivery and stone cold diction. He relies heavily on his poetic stop-and-go, rolling, syllabic elocution as he hops from word to word impeccably winding his way through the measured claps of the beat. It’s awe inspiring and every time I get to that part of the track I rewind it out of instinct. That verse furthers the notion that he is the Moon Man because stylistically he’s able to reach a creativity plateau through a combination of delivery mixed with beat and rhyme that’s so strikingly different both from much of what Hip Hop has to offer, it’s simply exciting.

Moving on to my now second favorite song on the whole album titled Cudi Zone. Again if you skipped the video above, I’ll forgive you, but at this point you may as well scroll back up and watch the first 4 mins and 18 sec of the video. I’m serious, I’d rather you watch that more than read any word on this whole review. He does more in the performance of Cudi Zone that my words could never measure up to experiencing it firsthand as concrete evidence. Needless to say the track can best be described as an orchestrated outpouring of melody. Emile (the producer of the song) did an excellent job of creating a dramatic, upbeat, energetic violin laced beat that sets the tone for Cudi to march through the track emphasizing that out of body feeling of euphoria when you’re in the zone. Everyone strives to find that peace up mentally and this song erupts with such raw emotion that you can’t help but be inspired to feel good about life and FORGET ABOUT IT ALL. On a person level, I for one have had many moments this past year where I’ve struggled to find that peace up there and get in that zone to just get away from it all…this song takes me up there, it takes me to that place where I feel like "oooooohhh", where you’re zoned and are able to regain perspective and just be happy with life. Daps for this one Cudi, your outpouring of emotion has had a very real effect on at least one of your listeners.

Make Her Say (Poker Face) doesn’t need much of an intro or explanation, it’s a creative sample of Lady Gaga’s radio hit. Despite it’s dancy, fun upbeat feel, its probably one of my least listened to tracks on the album. I really do like Common’s verse though, solid collabo, lot's of real Hip Hop talent on this one.

Moving on to my third favorite track on the whole album and evidently the next single to be released, Pursuit of Happiness. I’m a big fan of MGMT and even though their contribution is fairly subtle through the chorus, the track has an extremely calming feel to it. Love the background with the piano and like an actor on stage Cudi does an excellent job at giving just the right amount of vulnerability to make us feel his inner emotional war between positivity and completely losing his grip on sanity. Despite the sound focusing on the comfort of happiness with the poetically apropos line of:
"I'm on the pursuit of happiness and I know everything that shines ain't always gonna be gold I'll be fine once I get it....I'll be good"
The verses paint a tragic, hard headed, myopic, I’ll be fine on my own, leave me alone, I’m a loner, no one understands me picture. Alternatively, the message in the chorus is very fitting and I think I like this song so much right now because of the parallels I can draw to it with my own personal life. It’s all about expectation, as long as you can remain initially skeptical that whats shining isn’t really gold, you’ll eventually find gold and be good. It’s the times you believe without a doubt that once you see the shine, you immediately assume its gold before examining it where you get in trouble. Someone once told me I like to over analyze things…don’t act like that little snack didn’t provide you with some food for thought…haha.

Rounding out the album, Act 5: A New Beginning starts with Hyyerr, which showcases as traditional of Hip Hop verses as you’ll find on Man on the Moon. Real smooth laid back beat to ride out to. Pretty solid, soothing, down to earth track that serves as a landing to the outer space emotionally schizophrenic journey Scotty just took us on. Continuing that vibe is Up, Up, and Away (The Wake and Bake Song) track serving as an sing-a-long happy ending to the album. Common again narrates the conclusion to Cudi’s epic, providing us with a cliffhanger, almost saying to the audience, you’ve heard the story now, but you’re just getting to know him. And truth be told he’s just becoming known to everyone, so you never know where the next novel or play or crazy dream that Cudi will take us on next because his life is going to change as he gains notoriety and success through this album.

Numbers are in for first week sales of this album and he came in #4 on the charts in the US and sold 104,294 copies of Man On The Moon. That’s no simple task pushing that much weight with a first album and Cudi, word is bond, I’m gonna throw a party when you’re platinum because you deserve the 5 star classic, 5 headphone rating in my eyes. I didn’t think anyone could give Drake a run for best album of the year, but you have done it and sadly, it is going to be damn near impossible for you to top this first effort. I hope you use that as motivation to prove me wrong.

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