"Terrible, But Not Rippable, Invincible, I Hung Invisible"

Two words, lyrical ferocity. That's all the description needed to describe the faced paced diamond in the rough and absolute heat rock off @Eminem and @therealroyce59 new EP, Hell: The Sequel. While bloggers like me have been raving about Lighters and On Everything, this one has managed to hover under the radar a bit. I'm betting after folks take a full lap around the disc that will change as it's hard to ignore the verse both lyricists smear all over the @MrPorter2012 head nod symphony.

It's been sort of a ho hum month so far with new releases and I feel like the Bad Meets Evil disk is sustaining me until some more heavyweights drop like @BIGSEAN's Finally Famous and the much hyped @kanyewest & @s_c_ collabo Watch the Throne. Not a huge surprise that Carter 4 got pushed back after that weird single leaked last week...still smh about that one. Alas he made up for it with his interesting decision to go unplugged and cover Pac's Hail Mary during the set. Should be entertaining to see Weezy F do somethin different when that drops in a bit.

Don't be afraid to give Hell: The Sequel a full listen, it's well worth your time. Just don't cop out and get the non-Deluxe version cause that Echo track prod by @imadeitinc is harder than the contents of a toolbox...#HiddenGem

Bad Meets Evil feat Claret Jai - Above the Law (prod by Mr. Porter)

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"So paid, Rappers is Waitin’ on Trades and They All Get Knicked Like Melo"

Wow, talk about a good look and lights out collab. @ludacris + @S1AUGHTERHOUSE over a @mrporter2012 beat is a formula for destruction. Whoever decided to combine all the above elements on one track clearly wanted to get some last second momentum together for the release of Fast Five (due out this Fri). To be fair, in my mind, nobody is ever gonna touch Pov City Anthem by Cadillac Tah on the original Fast and the Furious soundtrack and if you're scratchin' your head wonderin' WTF?, then you clearly haven't been hanging around me. I wanted that instrumental as a ringtone before custom ringtones were even invented...#DreamBig

Buyer beware though, the soundtrack is nothing like the fierce track below. If possible I'd go on iTunes and start petitioning this to be sold as a single. If only you could just cop it and be done with it, but the powers that be are calling this track "Album Only" on iTunes, like I wanna fast forward through twelve tracks to get to this heat rock...#OnSomeBS

Feel free to appreciate it for what is it and don't feel stupid rewinding @therealcrookedi's verse either. Y'all ever heard of a trabalengua? Try sayin' the three bars below three times fast...#DoubtIT

"I’m a syllable, Hannibal, killer cannibal
With a mechanical manual to deliver the flammable ammo
Lyrical animal off the top"

I'll give it to you Universal, y'all almost made me consider watching the movie after hearin' this track. Daps & lbs are in order, feel free to indulge in a slice of lyrical Hip Hop delight...

Ludacris ft Slaughterhouse & Claret Jai - Furiously Dangerous (prod by Mr. Porter)

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Bonus: Did anybody else see the Peter Griffin take on Mr. Washee Washee Street Fighter Style last Sunday? That jumbled together gibberish he yelled when doin' the helicopter kick had me rollin' man, that was my childhood. I used to ride and die with Dhalisim...#LongAppendagesWin

"I'm Sick as Tyson in the Ring at the Colosseum With Gonorrhea"

For starters, I woulda paid a pretty penny to be at spectator at the Highline Ballroom last night in NYC, where @DaRealSlaughter struck a match and lit the house on fire. Plenty of media like the pic above from this source, as well as this one. Hearing reactions like the one below from @JoeBudden didn't make me feel any better...

Anecdotal video evidence would suggest there was some truth to what Joe said, especially with the other cameos from @realdjpremier, @bunbtrillog, @lloydbanks and @pharoahemonch...

S/O to Dallas Penn on the footage, that's a good look. To put things in perspective, Slaughterhouse to me represents a futuristic version of what Hip Hop started out as. Relatively simple, but high energy beats that are nothing more than an empty canvas to spit equally high energy lyrics that make you think and hang on to each line in an attempt to catch up to each lyricists train of thought.

Truth be told Slaughterhouse has been a ticking time bomb of lyrical talent that hardly needs a catalyst for the group to achieve Hip Hip supremacy. When I say catalyst, I mean a big break...like for example getting signed by Shady Records. Getting that type of break is like someone saying a wealthy man winning the lottery and becoming a billionaire. Dude already had stacks, bout Verne Troyer high, without winning the lottery, but now he's ungodly rich, kinda like Slaughterhouse right now. They just got the keys to the castle with Eminem and Dre now being able to give their two cents in helping their already ascending career that has been more about blazing their own new trail rather than signing their lives over to a record company and taking the path most traveled. @techn9ne has proven over time that Indie Hip Hop has a dedicated following and the more the Indie-ness is being pushed into the limelight of pop culture with stuff like this to go along with Shady investing in Slaughterhouse and Yelawolf, the less different it sounds and the more it will end up shaping the genre of Hip Hop.

Yea I guess you could say I'm excited...and you should be too when you hear tracks like the one below produced by @mrporter2012. Y'all should now know that "You get more for your money when you f*** with Mr. Porter"....#ClassicSlaughter

Slaughterhouse - Sun Doobie (prod by Mr. Porter)

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